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George McCardle

retoucher
  • WORK
  • CINEMAGRAPH
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GEORGE@YEAHNOPROBLEM.COM


The recent snows have made it clear to me that I will not be able to escape to Canada.  Honestly, I don’t think I could even survive the poconos.  I will have to stay here and endure further greatness.
I still pay the bills with retouching but I can’t share any of it anymore.  Someone somewhere started adding limits to sharing images for portfolios into contracts and nobody seems to be calling it usage.  Anyway, it’s all black and white
Day 5, our last day on set.  Robert has worn a shirt I am told is “fun”. As I survey the snack table, a cacophonous mix of CVS sale items, aged to perfection in the trunk of an unreliable Volkswagen and beautifully presented as only wicke
Just put your drink on the digi cart, they’re looking for an excuse to buy new stuff anyway.
Recent work with @crismanphoto
Recent work for @kremerjohnsonagain
Robert takes a picture of an empty set. He will post it to his story and list the members of the “dream tream”. I will not be included.  In line for the reconstituted eggs I ask Robert about the oversight. “I wish AI would hurry up&
Portrait of Sasha Suda, director and CEO of the Philadelphia Museum of Art. Photographed by @colinmlenton for Philly mag
Low water level at the reservoir. Its probably fine.
Part of an on-going series Im working on called "Goddamnit Hank". Hank knows what photography is and he knows my talents have real limits. He knows that a photograph has to have a point of interest and he knows I haven't found it, so he doe